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Interview with Evamaria Schmid & Wolfgang Wegner, DOC-TEAM Production
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Q: How did you get the idea of making a film on Casablanca and using Rick's Cafe?

Wolfgang: We had a meeting with German TV editors in Hamburg and the idea came up to do a documentary based on an old film. The first film that came to mind was "Casablanca," along with Humphrey Bogart, Ingrid Bergman and the Rick's Café that never existed. One of the editors went to the internet and came back very excited saying, "You're not going to believe this, but Rick's Café has just opened in Casablanca!" This was maybe in July, 2004 and then we looked at your website and became even more intrigued. I sent you an e-mail in October asking if you'd be willing to cooperate, and I remember Kathy that you answered positively right away. Then Eva came in December to have a look.

Eva:
When I came in December I was even more convinced that Rick's Café would be a great focal point for the film. I was amazed at how open and warm the people were. Wolfgang: Christian (the cameraman) and I were shooting a documentary in Poland when Eva went to Casablanca, and I remember how curious we were about what she was discovering there. I called her and got very excited. After Christmas we made a story outline with the photos Eva had from her visit. The station approved the production and we came in March to develop a real scenario.

Q: What is the channel that's backing the production?

Wolfgang: It's called NDR, the biggest public television channel. We've done over 60 documentaries for them.

Q: Is this the first documentary you've shot in Africa?


Wolfgang: Oh no. We've done films in Namibia, Uganda, South Africa, Zimbabwe.and of course Eva has a background in East Africa having spent 18 years in Kenya and Tanzania.

Q: Did the Casablanca filming all go as expected?

Wolfgang: I'd say 95% has gone according to plan. We're especially grateful for Anne Marie's help. She's lived here all her life and has a huge network of contacts.

Eva: We'd just mention it would be nice to have someone who could do ."x" and right away Anne Marie would punch a number on her mobile phone and have a contact for us.

Q: What was your best memory of filming?


Wolfgang: The best memory, and I'm sure all of you agree, is the people. I can say we were here two weeks, working round the clock and meeting and working with so many people. We didn't meet one who was not nice. The people are so warm and generous.

Q: What would you say was your worst experience?

Wolfgang: Well the worst was the camera breaking down after two days and having to rent one for the rest of the shoot. After that, I'd say the sequence at the race course with the horses. It rained. We were towards the end of filming and all the other days had been sunny and clear, and here we had cloudy skies and rain. It just wouldn't fit. We waited and waited, and unlike Germany, we didn't have to wait long for the skies to clear, and we got our film.

Q: How is your film going to be different from other documentaries on Morocco or Casablanca?

Wolfgang: Well first, it's going to be exclusively on Casablanca. I think that's unique - we wanted to give an idea of what this large city is all about - not a tourism travelogue that talks about Marrakech, the desert, Agadir. Also, Casablanca is a big city with its problems, but we wanted to show something positive, show a city on the move. To do that we used Kathy and her story with Rick's Café, a young stockbroker who returned to Casablanca to work after studying and working abroad, a fashion designer who's worked at Lagerfeld, a young woman who started an innovative way to export the zellige tile, and a wealthy man who decided to breed racehorses. In short we found people who believe in themselves and their talents. There were some wonderful stories - a woman physician, a widow, who's dedicating her life to helping the street children. But we decided not to do it, there was so much we found that was very, very positive and we hope that will help Casablanca. This documentary will be shown in Germany and also in France (ARTE), in October. It's going to help Casablanca, I think, for our message as outsiders is this city has a lot to offer.


 

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